Pages that link to "Item:Q52"
The following pages link to conference paper (Q52):
Displaying 50 items.
- Programmed digital poetry: a poetry of the apparatus; media art? (Q2516) (← links)
- Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry (Q2517) (← links)
- E-literature and the New Social Paradigms (Q2518) (← links)
- New Media ArtPoetry: A Textu(r)al Surface (Q2519) (← links)
- Big Brother really is watching you: Literature in mobile dataspace (Q2520) (← links)
- Why digital games and networks can help us to change reality and generate concrete changes in social environments (Q2521) (← links)
- Do the Domains of Literature and New Media Art Intersect? The Cases of Sonnetoid web projects by Vuk Ćosić and Teo Spiller (Q2522) (← links)
- Literary Aspects of the New Media Art Works by Jaka Železnikar and Srečo Dragan (Q2523) (← links)
- New Media Textuality and Semiotics (Q2524) (← links)
- Is There a Message in the Medium? The Materiality of Language (Q2525) (← links)
- Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace (Q2526) (← links)
- The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics (Q2527) (← links)
- The Extensions of the Body in New Media Art (Q2528) (← links)
- Poetry Confronting Digital Media (Q2529) (← links)
- (Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov (Q2530) (← links)
- Teaching Digital Writing through Digital Literature - Case Studies in Schools, Universities and Digital Public Spaces (Q2544) (← links)
- The Creative Imperative (Q2551) (← links)
- Creative Communities: Nooks, Niches, and Networks (Q2552) (← links)
- Can We Help Being Creative? (Q2553) (← links)
- Electronic Authorship, Collaboration, Community, and Practice (Q2554) (← links)
- The Genealogy of a Creative Community: Why is Afternoon the "Grandaddy" of Hypertext Fiction? (Q2555) (← links)
- At the Time of Writing: Digital Media, Gesture and Handwriting (Q2561) (← links)
- Narrative in Social Media (Q2562) (← links)
- Tagging Practices and the Disturbed Dialectic of Literary Criticism (Q2563) (← links)
- Making Connections Visible: Building a Knowledge Base for Electronic Literature (Q2564) (← links)
- Towards a Multimodal Analysis of da Rimini's Dollspace (Q2567) (← links)
- Reversed Remediation. How Art Can Make One critically Aware of the Workings of Media (Q2572) (← links)
- The Digital Poem against the Interface Free (Q2579) (← links)
- Early Authors of E-Literature, Platforms of the Past (Q2580) (← links)
- Strange Rain and the Poetics of Motion and Touch (Q2581) (← links)
- Seven Types of Interface in the Electronic Literature Collection Volume Two (Q2582) (← links)
- Rhetorics of Media Coupling in the Digital Age (Q2599) (← links)
- The Literary in Network-Based Writing and Reading Practices (Q2601) (← links)
- Technopoetry in Argentina: Routes and Detours (Q2602) (← links)
- The Effects of Software on the Digital Creative Process (Q2603) (← links)
- Gestural Manipulation and Digital Poetics (Q2604) (← links)
- ELiterature Formalization and Pedagogical Implications (Q2605) (← links)
- Works, Works? Works! (Q2606) (← links)
- Towards a Practice/Theory on Digital Reading (Q2607) (← links)
- In the Event of Digital Text. Performativity and E-literature. (Q2608) (← links)
- Analysing Digital Poetry: A Case Study (Q2610) (← links)
- Memory at work in Michael Joyce's afternoon, a story, Shelley Jackson's Patchwork Girl, and Mark Amerika's Grammatron (Q2619) (← links)
- Remediation as Passage. The example of the French poem Nouvelles Impressions d’Afrique by Raymond Roussel (Q2620) (← links)
- Digital readings. Reading through images and sound (Q2621) (← links)
- A Cartography of the Aesthetics and Locality of Forgetting: Preliminary Remarks on Samuel Delany’s Dhalgren, Mark Amerika’s Hypertextual Consciousness [beta-version] and Christopher Nolan’s Memento (Q2636) (← links)
- The Lyrical Quality of Links (Q2639) (← links)
- Subversive Writing and the Digital Text (Q2720) (← links)
- Generating Books: Paradoxical Print Snapshots of Digital Literary Processes (Q2721) (← links)
- Con/Tact/ile (Q2722) (← links)
- Massively Multireader: A Networked Teaching of House of Leaves across Five Classrooms (Q2757) (← links)