Pages that link to "Item:Q52"
The following pages link to conference paper (Q52):
Displaying 50 items.
- Hypertext Revisited: The Issue of Non-Sequentiality in Print and Digital Literature (Q2798) (← links)
- Digital Text: writing with the hand and fingers (Q2799) (← links)
- The Poetics of Sound in e-literature and the Avant-Garde tradition (Q2800) (← links)
- Warfare and Conventionality: How avant-garde computer-generated text can be (Q2801) (← links)
- 'Living Letterforms': The Ecological Turn in Contemporary Digital Poetics (Q2802) (← links)
- Flashpoints: Reading Electronic Literature as a Metaphor for Creativity (Q2803) (← links)
- Significant Affects in Digital Literature (Q2804) (← links)
- Student Research Using the ELMCIP Knowledge Base (Q2805) (← links)
- Writing as Erasure: Book Art, Memory, and Forgetting in the Digital Age (Q2806) (← links)
- Revisiting Reflexivity: American Metafiction and Hypertext Narratives (Q2807) (← links)
- BLOGS REMEDIATION TRANSMEDIALITY FROM DIGITAL TO PAPER TO EBOOK (Q2814) (← links)
- Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness) (Q2816) (← links)
- Better Looking, Close Reading: How Online Fiction Builds Literary-Critical Skills (Q2818) (← links)
- Getting Started in the Digital Humanities Panel Discussion (ELMCIP) (Q2820) (← links)
- Contrasts and Convergences of Electronic Literature (Q2821) (← links)
- Computing Language and Poetry (Q2822) (← links)
- Technologies That Describe: Data Visualization and Contemporary Fiction (Q2824) (← links)
- Continuous Paper: Print Interfaces and Early Computer Writing (Q2834) (← links)
- Continuous Paper (Q2835) (← links)
- Reconfiguring Publishing (Q2845) (← links)
- Contributing to the ELMCIP Knowledge Base (Q2848) (← links)
- Database Research and Publishing: Using the ELMCIP Electronic Literature Knowledge Base (Q2849) (← links)
- “It’s Not That, It’s Not That, It’s Not That”: Reading Digital Poetry (Q2870) (← links)
- Chasing Ghosts: Experiencing the Visual Tactility of Michael Joyce’s Electronic Hyperfictions, afternoon, a story (1987) and Twelve Blue (1996) (Q2942) (← links)
- Primal Affective Ground and Digital Poetry (Q2978) (← links)
- The Pleasure Principle: Immersion, Engagement, Flow (Q3002) (← links)
- Hypertext and Creative Writing (Q3010) (← links)
- Feral Hypertext: When Hypertext Literature Escapes Control (Q3011) (← links)
- A Response to the Report on Publishing E-Lit in Europe (Q3017) (← links)
- Performance and the Digital Text (Q3039) (← links)
- Machinic Performance (Q3040) (← links)
- Frontiers of Electronic Literature (Q3041) (← links)
- Forms of Future (Q3042) (← links)
- Performance of Code: Jörg Piringer in Conversation with J. R. Carpenter (Q3043) (← links)
- Touch and Gesture as Aesthetic Experience: Performing 5 Apps (Q3045) (← links)
- Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance (Q3046) (← links)
- 'Reading' Performance: Eugenio Tisselli's Wen (Q3047) (← links)
- Davey Dreamnation and the Performance of Self (Q3048) (← links)
- Performance as a Categoriser (Q3049) (← links)
- Performed poetics in multi-linear narrative situations (Q3054) (← links)
- Huis Clos / No Exit (Q3055) (← links)
- Cris Cheek on Poetics and Projection (Q3056) (← links)
- Distributed Matters: Production of Presence and the Augmented Textuality of VR (Q3061) (← links)
- Chuva de letras: de presenças, ausências de literatura digital (Q3064) (← links)
- Productions of Presence: Sensing Electronic Literature (Q3076) (← links)
- Ocotillo (Q3077) (← links)
- The End of E-Lit (Q3078) (← links)
- Jim Andrews on Aleph Null (Q3079) (← links)
- Aleph Null as Tool, Thought Process, and Poetics (Q3080) (← links)
- Stalking the paratext: speculations on hypertext links as a second order text (Q3083) (← links)