Pages that link to "Item:Q43"
The following pages link to academic journal article (Q43):
Displaying 50 items.
- Exploiting Hypertext’s Potential for Teaching Gender Studies (Q4099) (← links)
- Language as Gameplay: toward a vocabulary for describing works of electronic literature (Q4107) (← links)
- Lift This End: Electronic Literature in a Blue Light (Q4108) (← links)
- “Use the # & Tweet yr escape”: LA Flood as Mobile Dystopic Fiction (Q4113) (← links)
- Poetic Machinations (Q4115) (← links)
- French e-poetry: A short/long story (Q4117) (← links)
- New Media Poetry: Theory and Strategies (Q4119) (← links)
- Control and the Cyborg: Writing and Being Written in Hypertext (Q4126) (← links)
- Tracing the Growth of a New Literature (Q4130) (← links)
- Codework: Phenomenology of an Anti-Genre (Q4135) (← links)
- Codeworld (Q4139) (← links)
- Introduction to "Codework/Surveillance" (Q4140) (← links)
- E_RUPTURE://Codework"."Serration in Electronic Literature (Q4142) (← links)
- Ruch jako podstawa materializacji cyfrowej poezji konkretnej (Q4149) (← links)
- Plano Piloto Para Poesia Concreta (Q4154) (← links)
- Challenging Tongues: The “Irreducible Hybridity” of Language in Contemporary Bilingual Poetry (Q4156) (← links)
- Digital Manipulability and Digital Literature (Q4164) (← links)
- “I Want to Say I May Have Seen My Son Die This Morning”: Unintentional Unreliable Narration in Digital Fiction (Q4165) (← links)
- Enter the Cut-up Matrix: Some notes on Man and machines in the (Swedish) 1960’s (Q4178) (← links)
- What (Cyber)reading for the (Cyber)classroom? (Q4194) (← links)
- CyberLondon: A Virtual City for the Posthuman? Literary Reflections on the Changing Patterns of our Relationship with the Metropolis in the Information Era (Q4195) (← links)
- The Posthuman Ethos in Cyberpunk Science Fiction (Q4196) (← links)
- INTERACTIVITY AND OPEN-ENDING (LITERARY WORKS) (Q4198) (← links)
- The Mechanic Eye: North American Visual Poetry in the Digital Age (Q4200) (← links)
- Literary Reading Rituals and Practices on New Interfaces (Q4201) (← links)
- Literatura digital en Español: miradas y perspectivas (Q4203) (← links)
- Primórdios da poesia em computador – anos 60, 70 e 80 do século XX (Q4204) (← links)
- Poésie et ordinateur (Q4205) (← links)
- Ephemeral passages—La Série des U and Passage by Philippe Bootz: A close reading (Q4207) (← links)
- Signs and Apparatus in Digital Poetry: The Example of Jean-Marie Dutey’s le mange-texte (Q4209) (← links)
- Animation and Manipulation Figures in Digital Literature and the Poetics of (De-)Coherence: As Exemplified by Gregory Chatonsky’s The Subnetwork (Q4210) (← links)
- Creative Nonfiction in Electronic Media: New Wine in New Bottles (Q4212) (← links)
- The Transformation of Narrative and the Materiality of Hypertext (Q4216) (← links)
- A New Computer-assisted Literary Criticism? (Q4217) (← links)
- Computer-mediated Texts and Textuality: Theory and Practice (Q4218) (← links)
- Autoautor, Autotexto, Autoleitor: O Poema como Base de Dados (Q4223) (← links)
- Towards a Poor (Techno)Theatre / Escritura Acto (Q4236) (← links)
- R/W/E or CHMOD -777 (Q4237) (← links)
- Aura in the Age of Computational Production (Q4238) (← links)
- Transcript of the Twitter Performance 'Dawn Chorus', October 2011 (Artist's pages) (Q4239) (← links)
- Extending the Platform: Digital Pragmatism and Hatch Nottingham (Q4240) (← links)
- “Signature of Digital Subversion” - Joseph DeLappe’s Online-Writing Performances (Q4241) (← links)
- Live Code: Notations on a Kairotic Practice (Q4242) (← links)
- Adventures in Live Writing (Artist’s pages) (Q4243) (← links)
- The Dance Without the Dancer: Writing Bodies in Digital Texts (Q4244) (← links)
- Send: Act: Perform (Q4245) (← links)
- ‘Compose new Tweet’: A Cross-Disciplinary Perspective on Spectatorial Performance in the Digital Age (Q4246) (← links)
- Digitaland: Digital Performance in Many Dimensions (Q4247) (← links)
- Hacking Choreography (Q4248) (← links)
- Moving Words: Performative Readings of Kinetic Typography (Q4249) (← links)