Pages that link to "Item:Q52"
The following pages link to conference paper (Q52):
Displaying 50 items.
- Gaming the City: Telephone City and Social Spaces of Transformation (Q4423) (← links)
- The danger of a simple story (Q4426) (← links)
- Visualizing la(e)ng(-u-)age (Q4427) (← links)
- Postcommunist E-lit (Q4430) (← links)
- The formation of the field of electronic literature in Poland (Q4431) (← links)
- A Beam of Light: Reading the Portuguese Electronic Literature Collection (Q4432) (← links)
- New Novel Machines: Nanowatt and World Clock (Q4433) (← links)
- Swimming against the data stream: plot, polyphony and heteroglossia in data-driven writing (Q4434) (← links)
- Computational Editions, Ports, and Remakes of "First Screening" and "Karateka" (Q4435) (← links)
- Writing Synaptically: Using SCALAR as a Creative Platform (Q4436) (← links)
- Detective Stories in Digital Games (Q4437) (← links)
- CELL: The Consortium for Electronic Literature (Q4438) (← links)
- Bookish Electronic Literature: Remediating the Paper Arts through a Feminist Perspective (Q4439) (← links)
- What Do Children Want: Enhanced Books or Innovative E-lit for Kids? (Q4440) (← links)
- Disguised Tales: A Masqueraded Complexity in Children's Electronic Literature (Q4441) (← links)
- Discovering E-lit for Children (Q4442) (← links)
- Humanidades digitales como estudios hipercoloniales (Q4451) (← links)
- Del arte de medios al new media art: estrategias de contracultura y activismo (Q4460) (← links)
- The Need for Multi-Aspectual Representation of Narratives in Modelling their Creative Process (Q4472) (← links)
- Estética de la hipernovela. Un género de la inestabilidad (Q4478) (← links)
- Book presentation: Seeing Ourselves Through Technology: How We Use Selfies, Blogs and Wearable Devices to See and Shape Ourselves (Q4491) (← links)
- Reading between the lines: How paratexts shape readers’ interaction with a transmedia narrative (Q4493) (← links)
- In the Absence of the Publisher's Peritext (Q4494) (← links)
- Taroko Gorge: A Theory of Networked Paratext (Q4495) (← links)
- Reading an Ontology as Paratext (Q4497) (← links)
- Digital Paratext: Steps Towards New Technologies of the Intellect (Q4498) (← links)
- Video Game Framings (Q4499) (← links)
- Mashup as paratextual practice: beyond digital objects (in the age of networked media) (Q4500) (← links)
- Whisper Wire: Code as a Medium for Sending and Receiving Un-Homed Messages Through Haunted Media (Q4529) (← links)
- Hypertexte et hypermodernité (Q4530) (← links)
- Jouer / Déjouer : une relation critique pour le net-art (Q4532) (← links)
- Art et pédagogie - génétique du projet en poésie numérique (Q4534) (← links)
- Finding No Object: A Traversal through Processes in Digital Poetry (Q4536) (← links)
- Judy Malloy’s Seat at the (Database) Table: a Feminist Reception History (Q4537) (← links)
- Time-Lapse Reading as Critical Performance (Q4539) (← links)
- Time and Temporality in Digital Fictions (Q4548) (← links)
- Automated Diaries and Quantified Selves (Q4549) (← links)
- Complications of Narrative Time in Electronic Literature (Q4550) (← links)
- A Topographical Approach to Re-Reading Print Books About Islands in Digital Literary Spaces (Q4552) (← links)
- From page to screen: The Poetry Project and the poetics of landscape (Q4560) (← links)
- The Digital Reception of a Hundred Thousand Billion Poems (Q4561) (← links)
- A Knot in Time Is Not a Not’: Flux Narratifs et Temporalités (Q4566) (← links)
- “Cause Timing is Money and Money is Time”. Six Theses on Monetary Post Humanism in the Digital Age (Q4567) (← links)
- Algo-trading and the Digital Subject in Robert Harris’ 'The Fear Index' (Q4572) (← links)
- A Solipsist Can’t Tell the Time : Changes in the Digital Subject from ‘Vocational Time’ to ‘Timeless Time’ (Q4573) (← links)
- Shapeshifting texts: following the traces of narrative in digital fiction (Q4583) (← links)
- Touch as Technê : Pulse Project (Q4584) (← links)
- Techné, Corps et Temporalités: Culture de l’écran et Fiction Contemporaine (Q4585) (← links)
- Characters don’t need closure: a aventura impressa e digital (Q4586) (← links)
- “It’s no good unless you die at the end": "Stranger than Fiction" como rascunho de um mundo possível (Q4587) (← links)